An excerpt from Margaret Mitchell’s ‘Gone with the Wind.’

Spring had come early that year, with warm quick rains and sudden

frothing of pink peach blossoms and dogwood dappling with white

stars the dark river swamp and far-off hills. Already the plowing

was nearly finished, and the bloody glory of the sunset colored

the fresh-cut furrows of red Georgia clay to even redder hues.

The moist, hungry earth, waiting upturned for the cotton seeds,

showed pinkish on the sandy tops of furrows, vermilion and scarlet

and maroon where shadows lay along the sides of the trenches. The

whitewashed brick plantation house seemed an island set in a wild

red sea, a sea of spiraling, curving, crescent billows petrified

suddenly at the moment when the pink-tipped waves were breaking

into surf. For here were no long, straight furrows, such as could

be seen in the yellow clay fields of the flat middle Georgia

country or in the lush black earth of the coastal plantations.

The rolling foothill country of North Georgia was plowed in a

million curves to keep the rich earth from washing down into the

river bottoms.

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